Roland TrueVis MG2-640 vs MG2-300: What’s Different?

Roland DG has introduced the TrueVis MG2 Series, a new generation of UV printer/cutters designed for print businesses handling everything from everyday signage to premium decorative graphics. Available in two sizes, the 64-inch MG2-640 and 30-inch MG2-300, the series combines faster printing, expanded color capabilities, and integrated contour cutting in a single production platform.

Both models share the same core technology, including a newly developed printhead, advanced multi-layer printing, and automated maintenance. The main distinction is their media width, making the MG2-640 better suited to larger graphics and production environments, while the MG2-300 targets businesses working with smaller-format applications.

MG2-640 vs MG2-300: Choosing the Right Print Width

The TrueVis MG2-640 offers a 64-inch printing platform for businesses producing large signage, window graphics, backlit displays, and decorative applications. Its wider format provides more flexibility when handling oversized graphics or arranging multiple smaller jobs across the media.

This makes the MG2-640 particularly relevant to established print service providers, display graphics specialists, and sign makers that regularly process larger production runs. The wider format can also help businesses consolidate different job sizes onto one machine.

The TrueVis MG2-300, meanwhile, uses a 30-inch platform that better matches smaller-format production requirements. Potential applications include stickers, labels, promotional graphics, packaging prototypes, and customized decorative products.

For businesses whose orders rarely require wide media, the MG2-300 offers access to the same generation of UV printing technology without choosing the larger model. However, its narrower format limits the size of graphics that can be produced in a single piece.

Neither model is inherently better for every print shop. The practical decision depends on typical job dimensions, production volume, available workspace, and the applications a business intends to offer.

Faster UV Printing and Expanded Color Reproduction

Roland DG claims the MG2 Series delivers approximately twice the productivity of the previous MG Series. The improvement comes from a redesigned printhead and advanced waveform control, which manages ink droplet delivery during printing.

For busy production environments, higher throughput can translate into shorter turnaround times and additional capacity for incoming orders. Actual productivity will still depend on print settings, media, artwork complexity, and finishing requirements.

Image quality receives attention through improved ink placement accuracy, Variable Dot Technology, and True Rich Color settings. Variable droplet sizes help reproduce fine details and smoother tonal transitions, particularly in photographic graphics and designs containing gradients.

Standard CMYK printing can be supplemented with optional Orange and Red inks, expanding the available color gamut and improving Pantone coverage. This is useful when reproducing brand graphics where conventional CMYK may struggle to match certain saturated colors.

True Rich Color settings also aim to balance vibrant output with natural skin tones and neutral grays. Nevertheless, expanded ink options do not guarantee exact reproduction of every spot color, so color-critical jobs still require appropriate profiling and verification.

Five-Layer Printing Opens Up Premium Applications

One of the MG2 Series’ more interesting capabilities is single-pass multi-layer printing. Both models can produce up to five layers simultaneously using combinations of CMYK, White, and Gloss inks.

This allows print businesses to create graphics with white undercoats, glossy accents, and textured or embossed effects without repeatedly feeding the media backward between individual layers.

Eliminating those reverse-feed operations can reduce registration problems and media handling interruptions. It also simplifies workflows involving transparent substrates, backlit graphics, and decorative finishes that require several ink layers.

The included collection of 72 texture libraries gives operators additional options for creating dimensional graphics and specialty visual effects.

For example, a print shop could produce transparent window graphics with white backing layers or promotional stickers featuring raised gloss details. Packaging designers could also use the system to develop presentation prototypes with more elaborate surface finishes.

These capabilities help distinguish UV printing from conventional graphics production, although operators still need to consider substrate compatibility, ink configuration, and the finishing requirements of individual applications.

Integrated Cutting, Automation, and Production Software

Both MG2 models combine printing and contour cutting within one device. This integrated print-and-cut workflow is particularly useful for stickers, labels, shaped graphics, and other products that require precise cutting around printed artwork.

The series also supports workflows involving Roland DG and Graphtec cutting devices, allowing businesses to incorporate separate cutters where their production processes require them.

A redesigned take-up system helps keep printed media off the floor and supports continuous production. Combined with single-pass multi-layer printing, it enables unattended operation, including overnight jobs, according to Roland DG.

Operational improvements include automated media setup and calibration, Direct Print functionality, and a newly developed automatic fabric wiper. These features are intended to reduce routine operator intervention while maintaining consistent output.

The move to 1,000 ml ink pouches also reduces replacement frequency and, according to the manufacturer, lowers ink costs. However, the company has not provided detailed cost-per-print figures for comparing the two models.

On the software side, VersaWorks 7 RIP handles color management and production controls, while Roland DG Connect provides remote monitoring, production analytics, and operational insights.

The TrueVis MG2-640 and MG2-300 are available worldwide through authorized partners of Roland DG. Pricing has not been disclosed in the announcement. For buyers comparing the two, the deciding factor is likely to be media width rather than core functionality: the MG2-640 accommodates larger graphics, while the MG2-300 brings the same printing technologies to narrower-format production.